Dmitry Kostyukov is not just a journalist who has seen the war. First of all, this is a person who wants to improve his photography skills and remain honest with himself and the profession of a journalist.
Dmitry Kostyukov: biography
A well-known journalist and photojournalist - that's what any citizen can say about him. On account of his journalistic career, he covered various historical events: from negotiations and friendly meetings of the presidents of countries to conflicts in Afghanistan, the Gaza Strip and South Ossetia. His camera filmed the stages of preparing cosmonauts for a responsible flight, the landing of the Soyuz and the launch of rockets at Baikonur. Dmitry Kostyukov was a special correspondent for the first launch of space tourists from Space Adventure.
A talented journalist has worked as a staff photographer at France-Presse agency and Kommersant publishing house. In 2012, he decided to become a freelance photographer. Also since 2010, Dmitry Kostyukov has been a lecturer at the Faculty of Journalism of Lomonosov Moscow State University.
The transition from journalism to professional photography
Dmitry is a journalist by profession, but heretrained and became a professional photographer. The path of becoming was not as easy as we would like.
In his graduation thesis, Dmitry Kostyukov described a study related to the media economy and the reorganization of newspapers in the region. But after graduating from a higher educational institution, he did not care who to work with - write articles or take pictures. Like many aspiring journalists, he would like to be a photojournalist for National Geographic magazine, travel the world and write about it. But getting into this edition, especially in the American division, is very difficult. Therefore, Dmitry Kostyukov tested himself as a correspondent in Men's Fitness magazine. And after a few footage, it was clear that he did not want to do this.
The meaning of Kommersant in the life of Dmitry Kostyukov
But after the failure at Men's Fitness, Dmitry did not despair, but tried his hand at Kommersant, simply by calling the head of the photo service, who, in turn, invited the young journalist to a meeting. Unfortunately, in our country it is impossible to get an education as a photojournalist, but this publication has become an excellent school for Kostyukov. Good equipment and a serious working atmosphere have contributed to the development of the creative inclinations of a journalist.
Now many correspondents take pictures, but it is not always professional work, most often confused or lost pictures. What can not be said about Kostyukov.
