Liya Akhedzhakova: nationality, biography, filmography, photo

2024 Author: Henry Conors | [email protected]. Last modified: 2024-02-12 02:41

Akhedzhakova Liya Medzhidovna is a People's Artist of Russia, as well as a laureate of the State Prizes of the RSFSR and the USSR, a multiple winner of the Nika Prize. The nationality of Leah Akhedzhakova, as well as her biography and filmography will be discussed in this article.

The future actress was born in Dnepropetrovsk in 1983, on July 9th. Her parents came from the acting environment. Medzhid Salekhovich, father, graduated from GITIS in 1940, and then in Leningrad, the Higher Directing Courses. He worked as a theater director. Yulia Alexandrovna, mother, was a leading theater actress. Leah Akhedzhakova followed in her footsteps.

Nationality, parents

Akhedzhakova's father, Mejid, was born into a peasant family in the Adyghe village of Pseituk. Therefore, many believe that Liya Akhedzhakova is Adyghe. Her nationality, however, can only be established halfway. It is known for sure that her mother is Russian, originally from Dnepropetrovsk. At least half is Russian and Leah Akhedzhakova. The nationality of the father is not precisely established, since it is not known who he was. Mejid becamefor the girl's stepfather. However, Liya Akhedzhakova (whose nationality is sometimes erroneously determined based on the fact that her father is Mejid) always treated him as her own. Let's present some facts from the biography of this person.

Majid Akhedzhakov

Medzhid's youth fell on the pre-war years. At that time, the cultural level of the population was raised in the country - talented youth were sent to study in villages, towns and cities. So Mejid Akhedzhakov got into the Adyghe studio of GITIS. He learned about the war on the day he handed in his graduation thesis. Mejid, like many artists, had a reservation, so he did not get to the front. Majid returned from Moscow to Maykop, where he played in one of the theaters. And when the Germans approached the city in 1942, he went to Minusinsk.

Here he met Yulia Alexandrovna, his future wife. Nuriet Shakumidova, an actress who worked at the Adyghe Drama Theater, says that Yulia came from Dnepropetrovsk, where she worked as an actress. In the same city there was Liya Akhedzhakova, whose nationality we are trying to determine, her daughter, who was adopted by Majid. When this happened, the girl was four years old. Nothing is known about her birth father. Therefore, the nationality of Liya Akhedzhakova can be established only from the side of the mother. Most likely (according to Nuriet Shakumidova, who was friends with Leah's parents), her own father was also an actor.

How did your parents feel about Leah's choice of a career as an actress?

Leah's parents didn't want her to have the same fate as theirs. For her, they dreamed of something solid, reliable -biologist, engineer, doctor. A topic for a separate discussion is the post-war Maikop theater. Liya Medzhidovna recalls that it was necessary to "plow the entire Krasnodar Territory" in order to "make a plan." Legless post-war audiences were very fond of productions about the "beautiful life".

The girl's mother was often sick. Liya Akhedzhakova, whose photo is presented below, recalled how she woke up at night and listened to see if she was breathing. Since childhood, she was haunted by the fear of losing her mother.

Admission to GITIS

However, very early on, this awkward girl had inner strength. Perseverance and self-confidence helped Akhedzhakova become an actress. When she went around the Moscow studios at the age of 17, wondering if they needed actresses, she was advised to choose another profession. Leah was sympathized with in the admissions committee of the theater university, saying that she was a talented girl, but there was no need to spoil her life. Because she will never become an actress. But she knew what would happen. Leah entered a random institute, participated in amateur performances, becoming more and more convinced that she could not live without a theater. And she managed to enter the Adyghe studio of GITIS on the course of Chistyakov.

Internal qualities of Leah Akhedzhakova

Among the qualities of Leah Akhedzhakova are boyish determination, the charm of courage. Many of her characters are in the language of the ultimatum dialogue with life. Liya Akhedzhakova (photo of the actress is presented below) knows how to get her way with the help of "peace negotiations". And this requires, in spite of fear, wisdom and courage. Akhedzhakovanot so much overcoming fear as "taming" it.

Work at the Youth Theater

Leah after completing the course worked in 1960-1970 at the Moscow Youth Theatre. The outwardly inconspicuous appearance of the actress seemed to pose insurmountable obstacles: impractical, awkward, clumsy, but stubborn … On top of that, striving to succeed in everything and always succeed (Liya graduated from school with a gold medal). She knew, having arrived in Moscow, that she would have to win her place under the sun. It had to be learned from scratch, like so much else.

Started as a travesty actress in the Youth Theater Liya Akhedzhakova. Her biography is marked by the following most successful roles of this period: the donkey Eeyore (based on the work of A. Milne "Winnie the Pooh and His Friends"), Taraska Bobunov (based on L. Kassil, the play "Be Prepared, Your Highness!"), Zhenya (A. Aleksin, "My brother plays the clarinet"), Grandmother (N. Dumbadze, "I, grandmother, Iliko and Illarion"), Peppy (A. Lindgren, "Pippi Longstocking"), etc.

The years spent in the Youth Theater, where she played girls, boys, roosters, piglets and even ironing, Akhedzhakova long considered lost time. She is sure today that her fate must be accepted humbly. When it was time to say goodbye to the Youth Theatre, the actress resolutely and irrevocably left the theater.

Contemporary

A very important decision was made by Liya Akhedzhakova. Her biography after that went in a different direction. The actress went to Sovremennik, realizing that it was necessary to start everything fromclean slate. Here Leah sat for a long time without work, believing that no one needed her. However, oddly enough, despair, pain, self-doubt are sometimes even useful for a creative person. It is not known from which "litter" the "flowers" of Liya Medzhidovna grew.

She considers A. V. Efros, although she did not formally study on his course. He often gave her a ride in a car and uttered brilliant monologues during this time, pronouncing aloud the collisions of future productions. The girl admired how keenly he felt everything and understood how much he loved his actors, while knowing the shortcomings of each. In Leah's view, Efros is a subtle psychoanalyst. To everyone with whom he had to work, he knew how to pick up his key. Liya Medzhidovna believes that the lessons of this person are priceless.

Goodie Stamp

In the Soviet years, when she was just starting her career, there was a stamp of the so-called goodie. Akhedzhakova did not fit into this canon in any way. Her characters are like herself. And Liya Medzhidovna said that she did not know what kind of people to attribute herself to - positive or negative. In addition, this character was supposed to have different facial features, a different height, a different nose, and even, apparently, a different nationality.

Liya Medzhidovna - an actress who discredited the heroic stamp that existed at that time. She was selfish. The heroes of Akhedzhakova are "old girls", unlike anyone else, the only ones of their kind. They seem to have been plucked out of the queue at random, withbus stop have nothing to do with social heroines (for example, Elizaveta Uvarova, the mayor, played brilliantly by Inna Churikova in "I ask for words"), or with charming women from the village, portrayed by Nonna Mordyukova. Heroines appeared on the screen and on the stage together with Akhedzhakova, who tried not to give in to the lot, and sometimes even change their fate.

The main feature of Akhedzhakova as an actress is the ability to portray the personal, private, deviant from the norm. She does not play, does not pretend, but in fact is a wounded "foreigner". Akhedzhakova became not just a tragicomic or comic actress, but a tragic one.

Various genres and styles in which Akhedzhakova tried herself

Akhedzhakova has played many roles in the theater and cinema, starting with the first Ryazan films and ending with the TV series "The Fifth Angel" by V. Fokin, in which Sarah, the heroine of Leah, lives her whole life on the screen: from maturity to her old age. The actress tried herself in various genre and style directions: from caricature, grotesque (“We are going, we are going, we are going”, “Wall”, “Small demon”) to deep psychologism (“Sunflowers”, “Warning for small ships”, “Old-world love ", Steep Route", "Difficult People", "East Stand").

One of her first film roles was the role of Alla in the film "Looking for a man" by M. Bogin. Only for 3-4 minutes the actress flashed on the screen. However, forthose who watched the film, they became unforgettable. You can wake up any passer-by at night, and he will remember in the episodes "Office Romance" and "Irony of Fate" Leah Akhedzhakova, in which she played the secretary Verochka and the teacher Tanya.

In any minor episode, this actress can hook the viewer with her game. In Alexei German's film "20 Days Without War", the nameless woman played by Leah resonates with the theme of human dignity, hope, pain, exclusivity and uniqueness of the individual.

However, in the minds of the audience, Liya Akhedzhakova, whose filmography is very impressive, was and remains an actress who deeply feels funny, who can, as if by chance, elegantly and easily make anyone laugh. Leah is also a brilliant clown. Although even her comedy is atypical, since the sad irony of Leah Akhedzhakova is read behind her.

The role of Verochka's secretary

Everyone remembers the painting "Office romance" and the secretary Verochka. This role has become one of the most striking in the career of such a wonderful actress as Liya Akhedzhakova. Her filmography was replenished with this work in 1977. It would seem that this is just the secretary of one boring institution. However, Ryazanov, the director of the film, built the role specifically for Leah Akhedzhakova. There is a zest in Verochka: she is a sweetheart, a charm, a typical secretary. And yet there is a paradox, surprise, as if snatched from real life and made their way to the screen.

Here Verochka comes running towork. Dressed in the latest fashion, folded, thin, self-confident. She is aware of the latest trends - fashion, life, etc. In a statistical office, Vera does not at all feel like a cog or a pawn. On the contrary, she feels herself to be the main consultant in the world of new currents of life. Important facets of the actress highlighted this image. Typical, "blocky" in her becomes mobile, unexpected, ready to turn into the wrong side at any time. The funny, the hilarious in the heroine is not just a reaction to the absurdity of existence. From the subtle understanding of the deep layers of being comes the comedy of the image. After all, only human is both funny and sad in itself. Verochka "recruits" the audience's hearts with her natural charm, the fact that she is all at a glance. It seems that at a time when almost everything in life was documented, she knew how to enjoy it and sincerely rejoice and generously share her talent with people around her.

Features of the heroines played by the actress

All the heroines of this actress are a little funny and ridiculous. Let's remember Leah at least in Ginzburg's film "The Steep Route", in the marching column of convicts. Even here she stands out from the crowd! Leah and in a prisoner's uniform - "red line" and "italics". And this happens in any performance!

Liya Medzhidovna's talent is democratic in the highest degree, understandable to every viewer, and at the same time subtle and smart. She seems to speak on behalf of the people, wise with their wisdom. Her comedy characters are deeper, wider than what was stated in the script or play. However, big, real success comes to Leah when she herself is a co-author of her role. So it was in the film "Persian Lilac" (directed by Milgram) or in the film Volchek "We are going, going, going."

The heroines of this actress are poor fellows who go from one trouble to another. However, we love them precisely because they are unhappy, ugly, awkward. In fact, our delight is caused by the fact that, despite their ineptness and ineptness, they suddenly survive, endure and eventually win against all odds.

Her Vera Semenikhina from L. Kheifetz's painting "Eastern Tribune" is a projector and a maximalist, a dreamer who, at the same time, stands firmly on her feet, works as an ambulance nurse. Faith, with external unpretentiousness, is a subtle original philosopher, a persistent person. Beaten by life, she remains a knight with a code of honor.

Only strengthened the desire of Leah Akhedzhakova to become a heroine of a comedic natural gift and the appearance of a drag queen. This gave birth to a clown eccentric. Margarita Mostovaya from the 1987 play "The Wall" is a funny, ridiculous and clumsy pop diva from the provinces, who almost feels like Edith Piaf. Of course, it looks like a parody, a caricature, a caricature. R. Viktyuk, the director, brought Leah's ability to turn the impossible into the real to a circus standard.

Another wonderful role of this actress is Pulcheria Ivanovna ("Old World Love"). It feels reckless self-giving and sacrifice, it bakes until death not abouthimself, but about his betrothed. Behind homeliness and outward absurdity, behind everything worldly lies the talent of humanity and wisdom, the warmth of the heart and soul.

Like a locator, Akhedzhakova captures the currents of life around her. Leah is one of the rare actresses who brought the type of Chaplin's heroine to the screen and the stage, brought minor people to the forefront. A face from the crowd, thanks to Akhedzhakova, gained credibility and centripetal power.

In the biography of Akhedzhakova, the real breakthrough after "Columbine's Apartment" was the roles in the plays "Sunflowers" (2002) and "Warning to Small Ships" (staged in 1997). The characters played by her (Claire and Leona Dawson) are truly tragic and deep. Both Claire and Leona have been through a lot and managed to give up almost everything. They have become higher than worldly victories and defeats.

Akhedzhakova's latest works

Liya Akhedzhakova's career is notable for the fact that, unlike many other actors from the times of the USSR, she continued to appear frequently in films even after the collapse of the Soviet Union. In 1992, she received the Nika Award for her supporting role in Promised Heaven. After this work, the actress took part in the filming of more than thirty films. Among the most famous of Leah's later works are such films as "The Book of Masters", "Strange Christmas", "Old Horses", "Love-Carrot-3", as well as "Playing the Sacrifice" - the film that brought her the second prize"Nika".

The last picture to date, in which Akhedzhakova starred, is the comedy "Moms". She was awarded the title of People's Artist of the Russian Federation for her outstanding contribution to art.

Personal life of Leah Medzhidovna

Great actress - Leah Akhedzhakova. Biography, family, children - all this is being discussed today by many of her fans. We will satisfy their interest and tell a little about the personal life of Leah Medzhidovna. This actress was married three times. Valery Nosik became her first husband. The actress met him at the Youth Theater. However, the family life of this couple did not work out due to the fact that Valery was carried away by another actress. As a result, the couple Leah Akhedzhakova and Valery Nosik broke up. The actress, leaving, left the apartment to her ex-husband.

After some time, the second marriage was marked by such an outstanding actress as Liya Akhedzhakova, a biography. Her husband was Boris Kocheyshvili, an artist. Leah Akhedzhakova has an iron character. Perhaps that is why the second marriage was short-lived. Boris did not like the leadership of his wife, her attempts to influence his life. Then Liya Akhedzhakova, a biography whose personal life and career are of interest to us, lived alone for more than 10 years and did not even imagine, according to her, that she would get married again. However, fate gave her a gift.

Liya Akhedzhakova met a photographer from Moscow at one of the parties. He became her third husband. The actress signed with Vladimir Persianinov when she was already 63 years old (in 2001). The couple carefully concealed the wedding, to the notorietyputting only the closest friends. Despite the fact that her husband is somewhat younger than Leah, she felt like a truly family person with him. The couple live quite secluded in a dacha in the suburbs. Liya Akhedzhakova does not want to disclose the details of her personal life. And he does the right thing: biography, family, celebrity children - all this sometimes causes unhe althy interest. Satisfying him is sometimes very difficult.

Despite the fact that the actress was married three times, she has no children. Today Liya Akhedzhakova lives with her husband in Moscow, where she conducts social activities and works. Biography, children, nationality - we have already talked about all this.

Let's add a few more details that may interest the reader. Repeatedly in many interviews, Liya Medzhidovna spoke critically about the Putin government, and also advocated democratic changes in our country.

Death of Leah's parents

Yulia Alexandrovna died in 1990, and in 2012, in January, Majid passed away. He died at the age of 98, completely lost his sight in recent years. The daughter took care of him. After his death, his unique archive, which was dedicated to the culture of Adygea, was transferred by the will of the deceased to the national library in Maikop. While sorting through documents and books, the workers found Leah's birth certificate with her real name. They immediately gave this document to the actress. She herself does not disclose this information. Therefore, the nationality of Leah Akhedzhakova remains unclear to this day. We can still only make assumptions based onfew sources.

Biography of Leah Akhedzhakova, her nationality, her personal life - all this can be talked about for a very long time. In the passport of the Russian Federation only citizenship is indicated, while in the passport of the USSR there was a column "nationality". Akhedzhakova Liya Medzhidovna is a citizen of the Russian Federation. This is well established. And we can be proud of our compatriot.

In 2013 Liya Mejidovna celebrated her 75th birthday. The biography of Leah Akhedzhakova continues. Her nationality, like life, is overgrown with numerous rumors. But such is the fate of all famous people.